Stephen King's newest effort,
The Wind Through the Keyhole,
combines two of the author's more masterful skills: creating short
stories with similar themes in a single package, and writing chapters
set in his Western-tinged fantasy
The Dark Tower series, which celebrates its 30th anniversary this year.
The title is King's eighth
Dark Tower novel, although it takes place between the fourth volume,
Wizard and Glass (1997), and the fifth,
Wolves of the Calla (2003).
While
on their mission to the mythical Dark Tower, the enigmatic gunslinger,
Roland Deschain, and his fellow questers take refuge from an oncoming
"starkblast," a violent storm that brings deathly cold temperatures and
destruction.
Roland tells his people of his early days as a
gunslinger from Gilead and how he teamed up with another young man to
investigate a shape-shifter, called "the Skin-man," who began a killing
spree around a mining town.
King takes the reader down the
rabbit hole a little more from there: Roland strikes up a friendship
with a boy whose father is murdered and tells him a fairy tale — one
that lasts half the novel — involving magicians, dragons, swamp people
and an 11-year-old named Tim determined to avenge his father's death.
On
anybody else's typewriter, this might have turned into a mess. King,
however, shows himself to be an ace storyteller yet again, spinning
yarns like a favorite relative about a hero and his adventures in a
world like our own but just slightly skewed.
The famed horror-meister has pulled back from expanding the sprawling
Dark Tower world
to now detailing different parts of its Mid-World, such as creating
fairy tales parents tell children, fleshing out previous characters and
employing an indigenous speech and vocabulary as distinctive as Elvish
or Klingon.
It may not be as much of a page-turner as King's recent novels
Under the Dome and
11/22/63 (unless you're already a
Tower-phile), but
Wind Through the Keyhole is a perfect storm of everything he does well.